The eight Portuguese film-makers who are the focus of this book consider different aspects of Portuguese history from the perspective of memory, whether individual or collective, whether the memory is that of the characters they portray or, more directly, the memories evoked by the images shown of times past. For all of them, memory is a prism through which the past and identity can be viewed critically, whether the memories they bring are of dark times, such as in the cinema of João Canijo and Susana de Sousa Dias, or whether the memories give rise to venomous jokes, such as in the films by João Nicolau and Miguel Gomes. Most of the time, however, the use of memories is also a reaffirmation of the individual, whether this is a character, such as in the Pedro Costa’s Letters from Fontainhas trilogy, or even the film-makers themselves, such as is the case with João Rui Guerra da Mata in The Last Time I Saw Macao and Gonçalo Tocha in É na Terra não é na Lua.
Horacio Muñoz Fernández
Iván Villarmea Álvarez
Editors of Jugar con la memoria. El cine portugués en el siglo XXI
The presentation of the book will be accompanied by a short series of screenings of representative films of this latest generation of Portuguese film-makers. All of the sessions will be introduced by members of the cinema criticism association A Cuarta Parede, who will also moderate the debates with the film-makers.
Friday 4 at 7:30 pm. Sala 2
Iván Villarmea Álvarez
Editors of Jugar con la memoria. El cine portugués en el siglo XXI